Feathers, sequins, pop bangers and enough costume changes to bankrupt a glitter factory – The Lady Boys of Bangkok: Full Moon is pure camp escapism. I never quite worked out whether there was a story beyond a bloke repeatedly being stuffed into a sack, but honestly, nobody seemed to mind. Not everything works, and a few moments stray into pantomime territory, but if you're after a fabulously daft night out with friends, this sparkling spectacle delivers.

Step into the atmospheric surroundings of Wilton’s Music Hall for The Signalman, a blend of Victorian-inspired magic and Charles Dickens’ chilling ghost story. David Alnwick’s engaging mentalism delivers genuine moments of astonishment, perfectly suited to this historic venue. While the final dramatic reading is less compelling than the magic that precedes it, the show’s first two-thirds offer an entertaining and memorable evening.

Tokyo Nights brings the spectacle of sumo wrestling to Greenwich in a lively, theatrical production packed with energy, audience participation and impressive production values. While purists may find the choreographed bouts lack sporting authenticity, the show succeeds as an accessible and hugely entertaining introduction to sumo culture. Well organised, fun and engaging throughout, it's a memorable night out

Driven to Draw – this summer’s intriguing exhibition at the Royal Drawing School – emphasises the urgency in much of Bowling’s work, from his map abstractions to the sensitive yet immediate studies in ink of figures in action and at rest. Via these smaller studies, we are encouraged to look beyond the solid shapes in front of us…”

RON is certainly unlike anything else currently on the London stage. Its greatest strength lies in its visual design, with a breathtaking reveal of a real car in a woodland clearing creating the evening's most memorable image. Ted Walliker delivers a committed physical performance, but despite the production's ambition and striking visuals, the abstract script feels overly obscure, emotionally distant and ultimately unable to fully realise its intriguing ideas.

An ambitious and thought‑provoking play, Reformed explores radicalisation, identity and political division with strong performances throughout—particularly Elliot Drummond’s emotionally rich turn as Mark. While compelling, its writing can feel unbalanced, with some characters serving more as vehicles for ideas than fully realised individuals, slightly undermining its otherwise engaging impact.

Granite streets, harbour views and a little unexpected theatre – Aberdeen quietly won us over. Dinner at The Silver Darling came with ships gliding past the window, while butteries fuelled a wander through Old Aberdeen. From King’s College Chapel to a prehistoric mound hiding in Seaton Park, it’s a city that reveals its stories gently, and all the better for it.

Dame Maureen Lipman is simply magnificent in Peter Quilter's uplifting new comedy Allegra. I attended the press night at Richmond Theatre and was charmed by its warmth, imagination and heart. With delightful musical fantasy sequences, inventive props and a wonderfully strong supporting cast, this is a life-affirming evening of theatre. In a world full of bad news, we could all do with an Allegra in our lives.

Dark of the Moon blends Appalachian folklore, forbidden romance and Americana-inspired music into an ambitious new musical. While atmospheric staging, strong performances and a standout turn from Josie Benson impress, an over-amplified sound design and uneven storytelling prevent the production from fully casting its spell. A fascinating but flawed show that never quite reaches its potential. ★★★

Matthew Lyon’s Player at Riverside Studios is a sharp, inventive satire of the acting industry that balances biting humour with emotional honesty. Fast, witty and brilliantly performed, it captures the insecurity, ambition and persistence required to survive creatively. Funny, raw and hugely entertaining, it’s a masterfully written contemporary production and a genuine 5-star triumph.