ubversive, imaginative, vulgar and gloriously bizarre, Fanny Bleach is a late-night Fringe treat! A fast-moving parade of freakish characters, outrageous sketches and brilliantly creative ideas, with plenty of audience participation and some unforgettable surprises. Not every sketch hits the mark, but there are far more hits than misses. Original, enduring and, most importantly, very funny — well worth seeing!

Think classy fun fair by the Thames and you're on the right track. Electric Summer at Battersea Power Station combines nostalgic rides, pétanque, roller skating, giant prize-winning games, food trucks and a riverside bar in one of London's most iconic locations. Best of all, entry is free, so you can simply soak up the atmosphere or pay as you go for the attractions.

A 60th birthday lunch at The Cocochine proved every bit as special as we'd hoped. Impeccable yet genuinely warm service, beautifully executed French-led cooking with subtle Sri Lankan influences, and thoughtful personal touches – from a signed birthday card to fascinating stories behind the ingredients – made this elegant Mayfair restaurant one to remember.

We saw Dystopia 26: The Rock Opera ahead of its Edinburgh Fringe run, and it proved to be a bold blend of live rock music, political satire and immersive theatre. Visually striking and powered by exceptional musicianship, the production delivers memorable original songs and energetic performances, although its political messaging felt rather too heavy-handed for my taste.

Hit Machine is an intelligent and entertaining new play that blends family drama with the realities of the music industry. Josh Radnor and Noah Galvin impress, but it's Khalil Madovi who completely owns the stage, delivering a magnetic performance that captures every aspect of his superstar status. A compelling world premiere with heart, humour and plenty to say.

A fascinating celebration of Jonathan Larson's lesser-known work, The Jonathan Larson Project showcases a superb cast delivering every song with commitment and flair. While it feels more like a theatrical revue than a fully-fledged musical, Imelda Warren-Green steals the show with a brilliantly hilarious turn as a deranged housewife, providing the evening's biggest laughs.

A lively, colourful night at The Mill at Sonning, Shear Madness thrives on audience mischief. With Alex Marker’s vibrant salon set, Natalie Titchener’s spot‑on costumes and Daniel Cane’s quick‑witted detective working the room, the fun ramps up as you help solve the crime. Expect surprises — and go ready to vote on whodunnit.

A richly imaginative concert, From Mahler to Manhattan showcased Fantasia Orchestra’s fearless musical curiosity and exceptional artistry. Seamlessly blending Mahler, Strauss and Alma Mahler with Gershwin, Kern and Ellington, the evening highlighted Niamh O’Sullivan’s expressive versatility and the ensemble’s remarkable warmth, polish and style.

A dazzling, inventive celebration of Elton John’s music, Elton Reimagined showcases Jess Robinson’s extraordinary vocal skill, sharp humour and heartfelt admiration for every artist she embodies. It’s joyful, clever and unforgettable — a night where one remarkable performer makes a whole cast of musical legends come alive.

Feathers, sequins, pop bangers and enough costume changes to bankrupt a glitter factory – The Lady Boys of Bangkok: Full Moon is pure camp escapism. I never quite worked out whether there was a story beyond a bloke repeatedly being stuffed into a sack, but honestly, nobody seemed to mind. Not everything works, and a few moments stray into pantomime territory, but if you're after a fabulously daft night out with friends, this sparkling spectacle delivers.