Step into the atmospheric surroundings of Wilton’s Music Hall for The Signalman, a blend of Victorian-inspired magic and Charles Dickens’ chilling ghost story. David Alnwick’s engaging mentalism delivers genuine moments of astonishment, perfectly suited to this historic venue. While the final dramatic reading is less compelling than the magic that precedes it, the show’s first two-thirds offer an entertaining and memorable evening.

Tokyo Nights brings the spectacle of sumo wrestling to Greenwich in a lively, theatrical production packed with energy, audience participation and impressive production values. While purists may find the choreographed bouts lack sporting authenticity, the show succeeds as an accessible and hugely entertaining introduction to sumo culture. Well organised, fun and engaging throughout, it's a memorable night out

Driven to Draw – this summer’s intriguing exhibition at the Royal Drawing School – emphasises the urgency in much of Bowling’s work, from his map abstractions to the sensitive yet immediate studies in ink of figures in action and at rest. Via these smaller studies, we are encouraged to look beyond the solid shapes in front of us…”

RON is certainly unlike anything else currently on the London stage. Its greatest strength lies in its visual design, with a breathtaking reveal of a real car in a woodland clearing creating the evening's most memorable image. Ted Walliker delivers a committed physical performance, but despite the production's ambition and striking visuals, the abstract script feels overly obscure, emotionally distant and ultimately unable to fully realise its intriguing ideas.