Memoriam explores a fascinating future where memories can be extracted, edited and sold, asking powerful questions about identity, grief and what happens when we soften painful experiences. Beverley Klein shines as the feisty Rivka, but while there are the bones of a cracking good story here, a tighter running time and less sibling bickering would allow its most compelling ideas to truly take centre stage.

An outstanding, deeply moving musical, The Pianist tells the extraordinary true story of Polish-Jewish pianist Władysław Szpilman and his fight for survival during the Holocaust. With powerful performances, live music and intimate staging, this London world premiere celebrates the resilience of the human spirit and the enduring power of music to survive even the darkest of times.

An antique shop filled with forgotten objects and hidden stories provides an intriguing premise for psychological horror, but Uncle Monty's Antique Shop never quite realises its potential. Despite moments of atmosphere and a strong performance from Shanice Petilaire, the production's disjointed structure, unclear storytelling and uneven characterisation leave what could have been a chilling theatrical experience feeling frustratingly muddled.

What begins as a bizarre wartime rumour soon becomes something far darker. Inspired by the myth that Churchill's government commissioned pornographic films for British troops, Think of England swaps the quirky charm of Whisky Galore! for an unsettling tale of secrets, coercion and survival on a remote Orkney island. Strong performances from Natalie Quarry and Jack Bandeira keep you invested, but despite a fascinating premise, the film never quite fulfils its potential.

Laura Grillo’s What Would Jarvis Do? is a brave, unsettling black comedy that blends fandom, grief and lockdown-induced psychosis into a fever-dream journey through the human psyche. At its best, it offers moments of real emotional insight, particularly in its exploration of loss and isolation. While its surrealism and familiar horror tropes sometimes hinder audience engagement, the production’s ambition, dark humour and pulsing Pulp soundtrack leave a memorable impression.

A brilliantly written and superbly acted two-hander, What the Animals Say turns a chance ferry crossing into a sharp, funny and increasingly unsettling confrontation. David Ireland's debut play combines razor-sharp dialogue, surprising twists and outstanding performances, while imaginative direction and inventive staging make this an exhilarating example of fringe theatre at its best.

Set within the atmospheric surroundings of Wilton's Music Hall, Incendiary breathes new life into the words of Samuel Pepys. Edward Bennett is superb, bringing warmth, humour and humanity to the famous diarist with a wonderfully expressive voice. Blending history, music and storytelling, this fascinating production reveals not only the events Pepys witnessed, but also the man behind the diary.

An infidelity hotline sounds like fertile ground for a sharp dark comedy, but Keeping Your Spots never fully capitalises on its intriguing premise. Joshua J. Jewkes delivers an energetic and committed solo performance as Jared, a call centre supervisor advising would-be adulterers, yet underdeveloped writing, repetitive telephone exchanges and a predictable narrative leave the production feeling more like a relationship advice seminar than a compelling piece of theatre.​

Looking for the best Halloween escape room in London? We headed to Purgatory Bar in Victoria for a preview of No Escape's Gates of Hell, a 60-minute immersive horror experience packed with live actors, themed cocktails, clever puzzles and jump scares. Running from 23 October to 1 November 2026, alongside eight other terrifying experiences across London, it's a fun and fright-filled October night out.

At one of my favourite London venues, Wilton's Music Hall, Arthur Hull turns musical theatre's biggest disasters into a hugely entertaining evening. Blending impressive vocals, sharp humour and fascinating backstage stories, FLOP! celebrates the shows that missed the mark but somehow left behind memorable songs. A joyful reminder that failure can sometimes be every bit as entertaining as success.

★★★½ Three-and-a-half stars Written and performed by Jamie Noski, Getting Rekt is an ambitious, brave and sharply observed debut. With infectious energy and real stage presence, Noski explores trauma, identity and an unlikely intergenerational friendship against the chaotic backdrop of London. Tender, funny and occasionally heartbreaking, the play leaves you cheering for Rek and Zofia—and their mission to find sunflowers in winter.

Thick as Thieves Theatre Company’s Sense & Sensibility is a fizzing, fast-paced and wonderfully inventive production. Five versatile actors bring Austen’s world vividly to life, switching between characters and costumes with impressive speed and comic timing. The adaptation retains the romance, gossip and misunderstandings of the original while giving the story a fresh, playful energy. Audience participation adds an irresistible sense of spontaneity.

Hidden beside the River Snizort, just five miles from Portree, Columba's Isle is one of Skye's most peaceful and overlooked treasures. A short walk from a small roadside lay-by leads to an ancient island where cathedral ruins, weathered gravestones, a remarkable carved warrior effigy and a distinctive kilted memorial tell the story of centuries past. Surrounded by flowing water and silence, it's a beautiful place to pause, reflect and discover a different side of Skye.

A delightfully chaotic clowning adventure for children aged three to six, On Your Bike, Baffo follows one man's hilarious attempts to build and ride a bicycle. Packed with audience participation, slapstick mishaps and live music, this energetic family show keeps young audiences laughing from start to finish.

Woody Guthrie’s songs inspired generations of musicians, and this heartfelt production celebrates both his music and extraordinary life. Performed without amplification by four multi-talented musician-actors, the show combines around 25 songs with Guthrie’s own words, charting his journey from the Dust Bowl to folk legend. Rich harmonies, outstanding musicianship and powerful storytelling make this an uplifting tribute to a voice that challenged injustice and spoke for ordina

Night City is a bold and visually inventive look at London’s gig economy, driven by outstanding performances from Jack Ambrose and Bex Smith and exceptional movement direction. While Max Wilkinson’s play powerfully captures the human cost of insecure work, an unconvincing late plot development weakens its emotional impact. Ambitious and thought-provoking, it remains an engaging evening despite not fully delivering on all its ideas.

Right Before I Go, written and performed by Stan Zimmerman, tackles suicide with honesty, sensitivity and compassion. Using real suicide notes, personal experience, facts and reflections, it challenges the stigma and silence surrounding suicide. As someone personally affected by suicide, I found parts deeply moving and challenging. The post-show debrief with mental health professionals adds a vital, safe space for reflection and discussion.

Oil & Whiskey is a heartfelt country-rock musical that far exceeds its fringe roots. Dax Wiley's witty script and Kit Nolan's superb score blend seamlessly, while Juliet Perel delivers a phenomenal lead performance alongside an excellent cast and live band. Yuval Benit's intimate staging transforms the Old Red Lion into a convincing Nashville bar. An absolute joy with genuine West End potential.

James Kenworth’s Three Ghosts of Silvertown combines drama, music, movement and local history to explore Silvertown’s industrial past. The fascinating history, particularly the 1889 strike and Eleanor Marx, often proves more compelling than the drama. The community cast brings energy and commitment, while the Tate Institute provides an atmospheric setting. Ambitious and admirable, but narratively uneven.

A gentle, laugh-out-loud journey into the world of P.G. Wodehouse, with Sam Harrison delivering a masterclass in comic physicality as he plays Jeeves, Bertie and a wonderfully eccentric cast of characters.