Tate Modern’s Theatre Picasso explores the artist’s love of performance — from dancers to stage designs — but despite striking works like The Three Dancers and Weeping Woman, the exhibition feels more like a patchwork than a story. Picasso’s ego takes centre stage, and while there’s plenty to admire, it never quite stirs the heart the way the 2002 Matisse–Picasso show once did.

A review of ES Devlin's exhibition currently on at Somerset House. Unique, idiosyncratic and highly recommended.