A warm, witty and deeply relatable look at love after sixty, Invisible Me shines thanks to Bren Gosling’s insightful script and a beautifully layered performance from Tessa Peake-Jones. Honest, funny and quietly moving, it’s a refreshing reminder that life’s most exciting chapters can still lie ahead.

A chilling ghost story comes to life at Southwark Playhouse Borough. It Walks Around The House At Night blends clever staging, immersive lighting and sound, and a gripping central performance from George Naylor. With plenty of jumps and bumps for horror fans, balanced by sharp humour and strong storytelling, this atmospheric production proves that a small theatre can deliver a seriously big night of theatre.

he Grim at Southwark Playhouse mixes sharp comedy with uneven horror. The dynamic between Shaun and Robert brings plenty of laughs, while Harry Carter’s explosive arrival as Jackie Gallagher steals the show. The 1960s setting feels unnecessary, and the supernatural elements don’t fully land, but there’s real potential for this to grow into something special.

If you’ve ever found Shakespeare confusing, this whip-smart, laugh-out-loud adaptation of A Midsummer Night’s Dream is your gateway to the magic. Set in a giant playroom in the early 1900s, a group of kids stage a play full of fairies, love potions, and chaos — all for their elderly relative (and some iced buns 🍩). 🎭 Shakespearean English meets modern clarity as the kids break character to explain the plot, argue over fairies vs. fights, and even rope in the audience.

The immediate New Year after Christmas is usually thought to be a start of a sense of renewal, however it can also be interpreted as a...