Review of Stiletto - a new musical now on at the Charing Cross Theatre

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Full cast on stage dressed in 18th century clothing — Finale number - Viva La Grande Voce. Photo credit Johan Persson

Stepping into the Charing Cross Theatre for the world premiere of Stiletto musical; is like being transported straight into the heart of 18th-century Venice—a city teeming with ambition, intrigue, and the haunting echoes of operatic arias. This new musical, with often witty music and lyrics by Matthew Wilder and a book by Tim Luscombe, masterfully captures the era's opulence and complexity.

At the centre of Stiletto musical is Marco, portrayed with depth by Jack Chambers. As a castrato—a male singer castrated before puberty to preserve his soprano voice—Marco embodies the sacrifices made in the name of art during this period. Historically, thousands of boys, often from impoverished backgrounds, underwent this procedure annually, lured by the promise of fame and fortune on the operatic stage. Venice, being Europe's opera capital, was both a land of opportunity and peril, where these singers could achieve rock-star status or be cast aside into obscurity. This is the fate of voluntarily mute Niccolo (played by Connor Wood), who having been castrated as a child was found not to have an exceptional voice after all.

Woman and man in 18th century clothing. — Gioia (Jewelle Hutchinson) and Marco (Jack Chambers) start to bond. Photo credit Johan Persson

Marco's journey intertwines with Gioia, played by the luminous Jewelle Hutchinson. Gioia, the daughter of African slaves, possesses a voice that could rival any castrato, but women are not allowed to perform on stage by order of the Pope. Their meeting ignites a partnership fueled by mutual respect and a shared dream of redefining the operatic world. The chemistry between Chambers and Hutchinson is palpable, drawing the audience into their passionate quest against societal constraints.

The narrative takes a compelling turn with the introduction of Contessa Azzurra, portrayed by the commanding Kelly Hampson. The dynamics between the Contessa, Marco's music teacher Faustino (played by Greg Barnett), and Marco delve into themes of power, patronage, and the complexities of relationships formed out of convenience versus genuine connection and love. This exploration adds layers to the storyline, challenging perceptions of love and ambition.

The Contessa herself is trapped in a loveless marriage to an absent and disinterested husband (who has a male lover), a union built for status and financial stability rather than affection. Their duet 'Without You' is one of the outstanding numbers of the musical. Azzurra's interactions with Marco reveal a longing for intimacy and admiration, making her one of the most complex and fascinating characters in the production.

Adding a deliciously humorous touch to the drama is the Cardinal, played with impeccable comic timing by Alex Anstey. His sharp wit and biting asides provide welcome levity, punctuating the high stakes with perfectly placed quips. Whether bemoaning the moral decline of the city while indulging in its pleasures or sparring with the Contessa in veiled insults, Hendrickson steals several scenes with his dry delivery and razor-sharp dialogue.

Visually, Stiletto is a feast for the eyes. Set designer Ceci Calf has transformed the stage into a Venetian masterpiece, there's no mistaking that it's Venice with the large gold winged lion at the top of the set. Anna Kelsey's costumes are equally impressive, capturing the lavishness of the era while providing authenticity to each character's social standing.

The ensemble cast, featuring talents like Aiden Carson and Grace Galloway, brings vibrancy and depth to the bustling Venetian society, their performances seamlessly integrating with the leads.

Musically, the production soars under the direction of Jae Alexander. The orchestra is a large one for a venue of this size, it delivers a rich and emotive score that complements the narrative's highs and lows. Wilder's compositions bridge the classical and contemporary, resonating with both traditional opera enthusiasts and modern musical lovers.

Stiletto is a poignant reminder of the lengths individuals will go to achieve greatness and the societal structures that both enable and hinder such pursuits. This thoroughly deserves to transfer to a bigger venue.

Running from March 24 to June 14, 2025, at the Charing Cross Theatre, this production is a must-see. Secure your tickets here:

Ticket prices £23-£68

The theatre is located at The Arches, Villiers Street, London, WC2N 6NL.