Review: SIX The Musical New Cast 2026 – Vaudeville Theatre London

Sarah
Mar 26
3 min read

There’s something undeniably electric about returning to SIX, especially with a brand new line-up of Queens ready to remix history once again. Now firmly embedded as a West End staple, this high-energy pop concert-meets-musical continues to evolve, and this latest cast proves that the Queendom is in very safe (and seriously talented) hands.

From the moment the lights go down, the atmosphere inside the Vaudeville Theatre feels more gig than traditional theatre. The concept remains as clever as ever: six wives of Henry VIII reclaim their narratives, turning centuries of history into a joyful, defiant celebration of female voices. And yes, it still feels just as fresh.

Performers in colorful costumes stand on a stage with purple lights and "SIX" in the background during a lively theatrical performance. — Lucy and Toby receiving their Platinum disks

On the gala evening, there was an added layer of celebration as writers Toby Marlow and Lucy Moss were presented with Platinum discs for the original cast recording — a fitting tribute to a show that has grown from a clever fringe idea into a global phenomenon.

Woman in bejewelled clothing holding a microphone with a drum kit behind her — Nia Stephen as Catherine Parr. Photo credit Pamela Raith

Vocally, the entire cast of Six the Musical is exceptional. Each Queen brings her own flavour, and together they create a powerhouse of harmonies that fill the theatre. But it’s Nia Stephen as Catherine Parr who truly takes your breath away. Her performance is nothing short of stunning — controlled, emotive, and quietly commanding, she anchors the show’s emotional arc with real depth.

Six women in colourful costumes each holding a microphone, two are kneeling — Catherine of Aragon decidily not going to a Covent. Photo credit Pamela Raith

Adrianne Langley’s Catherine of Aragon delivers strength and sass in equal measure, while Marisha Morgan’s Anne Boleyn leans fully into the humour, bringing a playful edge that keeps the audience hooked. Jessica Aubrey’s Jane Seymour offers a softer, heartfelt contrast, and Freya Karlettis’ Anna of Cleves is effortlessly cool, owning the stage with charisma. Leesa Tulley’s Katherine Howard balances vulnerability and sparkle, rounding out a cast that feels both cohesive and individually distinctive .

One of the show’s enduring joys is its aesthetic, and Gabriella Slade’s costumes remain a standout. Think Tudor silhouettes reimagined through a glitter-soaked, pop-star lens — bold, quirky, and instantly recognisable. Each costume feels like an extension of the Queen wearing it, adding to the sense that this is as much a concert as it is a piece of theatre.

What continues to resonate most is the show’s sense of fun. It never takes itself too seriously, inviting the audience to laugh, clap along, and fully lean into the spectacle. But beneath the sequins and choreography lies something more meaningful — a reclaiming of ‘herstory’. These women are no longer defined by a king, but by their own voices, stories, and identities. It’s empowering without being heavy-handed, and that balance is what keeps audiences coming back.

It’s no surprise that SIX continues to dominate globally, with billions of streams and an ever-growing fanbase . This latest cast only strengthens its legacy, proving that while the Queens may change, the crown remains firmly in place.

Where to see Six the Musical: Vaudeville Theatre 404 Strand, London, WC2R 0NH

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Final thoughts: If you’ve seen SIX before, this cast gives you every reason to return. And if you haven’t yet experienced it, now is the perfect time to join the Queendom.