If you’ve ever found Shakespeare confusing, this whip-smart, laugh-out-loud adaptation of A Midsummer Night’s Dream is your gateway to the magic. Set in a giant playroom in the early 1900s, a group of kids stage a play full of fairies, love potions, and chaos — all for their elderly relative (and some iced buns 🍩). 🎭 Shakespearean English meets modern clarity as the kids break character to explain the plot, argue over fairies vs. fights, and even rope in the audience.

A heartfelt performance meets a cautious production. Lehla Eldridge shines as Justine—a woman torn between routine and rebellion—but the show’s over-reliance on narration and minimal staging holds it back. Urgent themes, gentle delivery. Worth seeing, but you might wish it took more risks

A one woman show seeking to uncover the truth about those great Shakespearean monologues.

In the shadowy basement of The Glitch, The Popess brings 13th-century Milan roaring into today. Elena Mazzon’s one-woman show is sharp, funny and surprisingly moving — with audience banter, awkward hymn-singing (not my forte), and questions that linger: what does faith bring you, and what would you die for?

We laughed, we danced, we did the Time Warp – and yes, we dressed up (though not quite as fabulously as the die-hard fans in corsets and glitter). Rocky Horror at Fairfield Halls is a riot of colour, camp and chaos, and Nathan Caton’s cheeky banter with the crowd, including insulting Croydon, made it feel like a party from start to finish.”

Soon to be on an International Tour we reviewed Éireann, the latest theatrical venture from the creators of international touring A Taste of Ireland,. Both the dancers and the musicians were stunningly good - not to be missed.

Stale Cake is the debut theatrical work of Gabrielle Hofmann, and if this startling opening salvo is anything by which to go, then we might just expect more fireworks from this writer in the not-too-distant future - there is great potential here.

To MARS is our view the perfect introduction to theatre for very young people. our 8 and 10 year old reviewers loved the show. Highly recommended.

Now in it's 15th year the company behind Sh!t-faced Shakespeare® give us their rendition of Hamlet. Our reviewer was not a fan. Something is rotten in the state of Leicester Square Theatre.

Sandringham’s Heritage Live wasn’t just about the music—it was the sparkle, and the sheer sense of joy that hung in the air. Scissor Sisters turned the lawns into a glitterball, And then came Pet Shop Boys—masters of synth-pop storytelling, celebrating an amazing 40 years in the business closing the night with West End Girls and Being Boring.

If you want to see some outstanding magic, you don't need to go to Vegas. Try the Magic Hour in London's Sheraton Grand - Sonic truly delivers first class magic.

Fun, fast-paced, and full of fascinating facts, Horrible Histories: Barmy Britain makes learning history an absolute blast. With energetic performances, cheeky humour, and plenty of audience laughs, it’s a four-star family treat

Anne Boleyn The Musical at Hever Castle is a regal spectacle in a setting that couldn’t be more perfect. With the castle glowing in jewel tones and Henry VIII arriving on a white horse, it’s theatrical magic. Emily Lane’s voice as Anne is a standout, and the cast sweeps across the lawn like courtiers summoned by fate. But while the setting dazzles, the drama doesn’t quite match the grandeur. Think Wolf Hall meets am-dram—with a few missed tricks and a lot of heart.

A talking sculpture of William Burroughs voiced by Jason Isaacs steals the show in Lost Watches—a surreal, Beat-inspired journey through grief and memory at Park Theatre. With standout performances from Lorenzo Allchurch, Gabrielle Moran, and Leah Aspden, this 70-minute play is a poetic fever dream best followed by pizza and reflection

Glittery, cheeky and packed with pop bangers, The Diana Mixtape is a royal romp through heartbreak and high heels. Lucinda Lawrence’s deliciously villainous Camilla and Keala Settle’s commanding Queen steal the show—but get a seat, standing is no joke

How hard can be to cast a new Bond, James Bond? A Role to Die For now on at the Marylebone Theatre attempts to answer the conundrum.

What do you do if you can't find a film or play which fits your experience of alcoholism? You write your own. The White Chip is written by Sean Daniels whose story told through the mouth of Stephen played by the brilliant Ed Coleman. It's both funny and poignant. Do not miss this play

Fresh and original writing in a London Fringe venue, a cracking storyline, a talented cast - we gave In Defence of Adventurous Mothers a 4 star review. Don't miss this exciting new play.

Jeremy and Tina reviewed the marvellous exhibition now on at the Royal Drawing School to celebrate 25 years of its' existence. Highly recommended.

A beautiful two hander, intense and thoughtful. Now on at Soho Theatre I ran the whole emotional roller coaster from laughing out loud to a small tear.