A play that contains both anguish and hope, a moving experience of dealing with grief and relationships after loss. 4 stars from us.

In need of Halloween chills - look no further than this production of The Monkey's Paw now on at the Hope Theatre in Islington

Musical Bites at The Other Palace is back! For just £5 (lunch extra), you can enjoy a 45‑minute in-progress musical reading—script-in-hand, intimate setting, and your feedback shapes the show. Upcoming: PTA (29 Oct) & Legendary (12 Nov). On 15 Oct, Rachel Garnet’s Ready To Wear gave a striking glimpse into YSL’s creative fragility—humorous, heartfelt & cautious on joy

Catch the Choir of Man at the Arts Theatre, London before it starts it's nationwide tour in March 2026. This uplifting show has a serious message, but leaves you feeling good.

Tapping into the current rise in extreme right wing British nationalism and the flag waving this 2 actor play 'English Kings killing Foreigners' is timely and rightly challenging. 

Really good Exposure Written and performed by Megan Prescott Important and Courageous, this needs everyone's attention now. Exceptional!

If you’ve ever found Shakespeare confusing, this whip-smart, laugh-out-loud adaptation of A Midsummer Night’s Dream is your gateway to the magic. Set in a giant playroom in the early 1900s, a group of kids stage a play full of fairies, love potions, and chaos — all for their elderly relative (and some iced buns 🍩). 🎭 Shakespearean English meets modern clarity as the kids break character to explain the plot, argue over fairies vs. fights, and even rope in the audience.

A heartfelt performance meets a cautious production. Lehla Eldridge shines as Justine—a woman torn between routine and rebellion—but the show’s over-reliance on narration and minimal staging holds it back. Urgent themes, gentle delivery. Worth seeing, but you might wish it took more risks

A one woman show seeking to uncover the truth about those great Shakespearean monologues.

In the shadowy basement of The Glitch, The Popess brings 13th-century Milan roaring into today. Elena Mazzon’s one-woman show is sharp, funny and surprisingly moving — with audience banter, awkward hymn-singing (not my forte), and questions that linger: what does faith bring you, and what would you die for?

We laughed, we danced, we did the Time Warp – and yes, we dressed up (though not quite as fabulously as the die-hard fans in corsets and glitter). Rocky Horror at Fairfield Halls is a riot of colour, camp and chaos, and Nathan Caton’s cheeky banter with the crowd, including insulting Croydon, made it feel like a party from start to finish.”

Soon to be on an International Tour we reviewed Éireann, the latest theatrical venture from the creators of international touring A Taste of Ireland,. Both the dancers and the musicians were stunningly good - not to be missed.

Stale Cake is the debut theatrical work of Gabrielle Hofmann, and if this startling opening salvo is anything by which to go, then we might just expect more fireworks from this writer in the not-too-distant future - there is great potential here.

To MARS is our view the perfect introduction to theatre for very young people. our 8 and 10 year old reviewers loved the show. Highly recommended.

Now in it's 15th year the company behind Sh!t-faced Shakespeare® give us their rendition of Hamlet. Our reviewer was not a fan. Something is rotten in the state of Leicester Square Theatre.

Fun, fast-paced, and full of fascinating facts, Horrible Histories: Barmy Britain makes learning history an absolute blast. With energetic performances, cheeky humour, and plenty of audience laughs, it’s a four-star family treat

A talking sculpture of William Burroughs voiced by Jason Isaacs steals the show in Lost Watches—a surreal, Beat-inspired journey through grief and memory at Park Theatre. With standout performances from Lorenzo Allchurch, Gabrielle Moran, and Leah Aspden, this 70-minute play is a poetic fever dream best followed by pizza and reflection

Glittery, cheeky and packed with pop bangers, The Diana Mixtape is a royal romp through heartbreak and high heels. Lucinda Lawrence’s deliciously villainous Camilla and Keala Settle’s commanding Queen steal the show—but get a seat, standing is no joke

How hard can be to cast a new Bond, James Bond? A Role to Die For now on at the Marylebone Theatre attempts to answer the conundrum.

We were invited to a summer showcase ahead of the National Ballet of Japan’s UK debut performance of Giselle at the Royal Opera House on 24th July 2025. This marvellous showcase has left us excited to see the full performance. On 24th to 27th July - so get booking!